禪定

在白孔雀的定義中，禪定被拆解為兩個遞進的物理與心智過程。它強烈反對將禪定等同於「石頭般枯坐」或「追求靈異神通」，強調其核心在於「明心見性」以及在動靜之中的無差別實踐。

In the White Peacock's formulation, samādhi is parsed into two successive processes—physical and cognitive. It resolutely opposes the reduction of samādhi to "the stillness of a stone" or "the pursuit of occult marvels," insisting that its essence lies in "illuminating the mind and beholding one's true nature," and in the non-dual practice that pervades both motion and stillness.

在此藝術哲思中，禪定並非指盤腿打坐的物理姿勢，而是指一種「讓空性作主」的系統架構調整，其最終的檢驗標準是能否在煩惱中依然「好好吃、安心睡」。

In this aesthetic-philosophical meditation, samādhi does not denote the physical posture of cross-legged sitting, but rather a systemic architectural reconfiguration that yields sovereignty to emptiness—the ultimate criterion of which is whether one can still eat well and sleep soundly amid afflictions.